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Fantomas Unleashed

Fantomas Unleashed

Comedy · Crime · Adventure · 1965

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

Movie details

Fantomas Unleashed

1965 Comedy · Crime · Adventure 1h 45m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fantomas Unleashed?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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High Anxiety

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Names above the title

The people responsible.

Directed by

André Hunebelle

Written by

Jean Halain · Pierre Foucaud

Jean Marais

Jean Marais

Fantômas / Fandor / Professeur Lefèvre / Marquis de Rostelli

Louis de Funès

Louis de Funès

Commissaire Juve

Mylène Demongeot

Mylène Demongeot

Hélène

Jacques Dynam

Jacques Dynam

Inspecteur Bertrand

Robert Dalban

Robert Dalban

Directeur du journal

Albert Dagnant

Albert Dagnant

Professeur Marchard

Christian Toma

Christian Toma

Inspecteur Pierre

Court is in session

Put Fantomas Unleashed on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.