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Escape to Witch Mountain

Escape to Witch Mountain

Adventure · Fantasy · Science Fiction · 1975

Tia and Tony are two orphaned youngsters with extraordinary powers. Lucas Deranian poses as their uncle in order to get the kids into the clutches of Deranian's megalomaniacal boss, evil millionaire Aristotle Bolt, who wants to exploit them. Jason, a cynical widower, helps Tia and Tony escape to witch mountain, while at the same time Tia and Tony help Jason escape the pain of the loss of his wife.

Movie details

Escape to Witch Mountain

“Caught in a world where they don't belong... they have one chance to escape!”

1975 Adventure · Fantasy · Science Fiction 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Tia and Tony are two orphaned youngsters with extraordinary powers. Lucas Deranian poses as their uncle in order to get the kids into the clutches of Deranian's megalomaniacal boss, evil millionaire Aristotle Bolt, who wants to exploit them. Jason, a cynical widower, helps Tia and Tony escape to witch mountain, while at the same time Tia and Tony help Jason escape the pain of the loss of his wife.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Escape to Witch Mountain?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Return from Witch Mountain

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The New Adventures of Pippi Longstocking

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Where it lives

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Names above the title

The people responsible.

Directed by

John Hough

Written by

Robert M. Young

Eddie Albert

Eddie Albert

Jason O'Day

Ray Milland

Ray Milland

Aristotle Bolt

Donald Pleasence

Donald Pleasence

Lucas Deranian

Kim Richards

Kim Richards

Tia Malone

Ike Eisenmann

Ike Eisenmann

Tony Malone

Walter Barnes

Walter Barnes

Sheriff Purdy

Reta Shaw

Reta Shaw

Mrs. Grindley

Court is in session

Put Escape to Witch Mountain on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.