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Return from Witch Mountain

Return from Witch Mountain

Adventure · Fantasy · Science Fiction · 1978

Tony and Tia are other-worldly twins endowed with telekinesis. When their Uncle Bene drops them off in Los Angeles for an earthbound vacation, a display of their supernatural skill catches the eye of the nefarious Dr. Gannon and his partner in crime, Letha, who see rich possibilities in harnessing the children's gifts. They kidnap Tony, and Tia gives chase only to find Gannon is using her brother's powers against her.

Movie details

Return from Witch Mountain

“Sinister forces from this world against two young space travellers from another.”

1978 Adventure · Fantasy · Science Fiction 1h 35m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Tony and Tia are other-worldly twins endowed with telekinesis. When their Uncle Bene drops them off in Los Angeles for an earthbound vacation, a display of their supernatural skill catches the eye of the nefarious Dr. Gannon and his partner in crime, Letha, who see rich possibilities in harnessing the children's gifts. They kidnap Tony, and Tia gives chase only to find Gannon is using her brother's powers against her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Return from Witch Mountain?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Hough

Written by

Malcolm Marmorstein

Bette Davis

Bette Davis

Letha Wedge

Christopher Lee

Christopher Lee

Victor Gannon

Kim Richards

Kim Richards

Tia

Ike Eisenmann

Ike Eisenmann

Tony

Jack Soo

Jack Soo

Mr. "Yo-Yo" Yokomoto

Anthony James

Anthony James

Sickle

Richard Bakalyan

Richard Bakalyan

Eddie

Court is in session

Put Return from Witch Mountain on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Cool Ironist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.