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Taxi 2

Taxi 2

Action · Comedy · Adventure · 2000

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

Movie details

Taxi 2

“France's answer to the Italian job”

2000 Action · Comedy · Adventure 1h 22m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

A cabdriver and a cop race to Paris to rescue a love interest and the Japanese minister of defense from kidnappers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Taxi 2?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Hostile Takeover

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Follows Pete, a professional hitman, as he faces a group of assassins after the boss of a crime syndicate suspects disloyalty due to his attendance at Workaholics Anonymous meetings.

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The Assassination Bureau

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Action · 1985

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Names above the title

The people responsible.

Directed by

Gérard Krawczyk

Written by

Luc Besson

Samy Naceri

Samy Naceri

Daniel Morales

Frédéric Diefenthal

Frédéric Diefenthal

Émilien Coutant-Kerbalec

Marion Cotillard

Marion Cotillard

Lilly Bertineau

Emma Wiklund

Emma Wiklund

Petra

Bernard Farcy

Bernard Farcy

Commissaire Gibert

Jean-Christophe Bouvet

Jean-Christophe Bouvet

Général Edmond Bertineau

Frédérique Tirmont

Frédérique Tirmont

Mother

Court is in session

Put Taxi 2 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.