“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

In The Mix
Comedy · Drama · Crime · 2005
A successful DJ named Darrel, managed to rescue a powerful mobster one night. In order to repay Darrell, the mobster, Frank Pacelli, gives him the task of protecting his daughter, Dolly.
In The Mix
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
3.0 / 10
8.7K votes
Rotten Tomatoes
14 %
Tomatometer
Metacritic
31 / 100
Metascore
TMDB
6.1 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
A successful DJ named Darrel, managed to rescue a powerful mobster one night. In order to repay Darrell, the mobster, Frank Pacelli, gives him the task of protecting his daughter, Dolly.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over In The Mix?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Ron Underwood
Written by
Jacqueline Zambrano
Put In The Mix on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






