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The Mating Habits of the Earthbound Human

The Mating Habits of the Earthbound Human

Comedy · Romance · Science Fiction · 1999

David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship "footage" is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.

Movie details

The Mating Habits of the Earthbound Human

“A How-To-Do-It Guide.”

1999 Comedy · Romance · Science Fiction 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship "footage" is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mating Habits of the Earthbound Human?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

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Names above the title

The people responsible.

Directed by

Jeff Abugov

Written by

Jeff Abugov

Mackenzie Astin

Mackenzie Astin

The Male

Carmen Electra

Carmen Electra

The Female

David Hyde Pierce

David Hyde Pierce

The Narrator

Markus Redmond

Markus Redmond

The Male's Friend

Lucy Liu

Lucy Liu

The Female's Asian Friend

Lisa Rotondi

Lisa Rotondi

The Female's Slutty Friend

Sharon Wyatt

Sharon Wyatt

The Male's Mother

Court is in session

Put The Mating Habits of the Earthbound Human on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.