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Creator

Creator

Comedy · Romance · Science Fiction · 1985

With the help of student assistant Boris and stolen university equipment, Dr. Harry Wolper plans to clone his dead wife. But then he meets Meli, an egg donor for his experiment, and they fall in love. Faced with choosing between his deceased wife and Meli, Dr. Wolper sees his situation in a new light when Boris' own new love, Barbara, falls into a coma. Meanwhile, another professor tries shutting down the cloning project.

Movie details

Creator

“It's potentially dangerous, probably illegal and definitely crazy.”

1985 Comedy · Romance · Science Fiction 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

With the help of student assistant Boris and stolen university equipment, Dr. Harry Wolper plans to clone his dead wife. But then he meets Meli, an egg donor for his experiment, and they fall in love. Faced with choosing between his deceased wife and Meli, Dr. Wolper sees his situation in a new light when Boris' own new love, Barbara, falls into a coma. Meanwhile, another professor tries shutting down the cloning project.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Creator?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ivan Passer

Written by

Jeremy Leven

Peter O'Toole

Peter O'Toole

Dr. Harry Wolper

Mariel Hemingway

Mariel Hemingway

Meli

Vincent Spano

Vincent Spano

Boris Lafkin

Virginia Madsen

Virginia Madsen

Barbara Spencer

David Ogden Stiers

David Ogden Stiers

Dr. Sid Kullenbeck

John Dehner

John Dehner

Paul

Karen Kopins

Karen Kopins

Lucy Wolper

Court is in session

Put Creator on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.