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The Last Word

The Last Word

Drama · Romance · 2008

An odd-but-gifted poet, Evan Merck makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte, the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother.

Movie details

The Last Word

“A romantic comedy where opposites distract.”

2008 Drama · Romance 1h 30m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

3.3K votes

Rotten Tomatoes

40 %

Tomatometer

TMDB

5.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

An odd-but-gifted poet, Evan Merck makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte, the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Word?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Geoffrey Haley

Written by

Geoffrey Haley

Winona Ryder

Winona Ryder

Charlotte Morris

Wes Bentley

Wes Bentley

Evan

Ray Romano

Ray Romano

Abel

Gina Hecht

Gina Hecht

Hilde

A.J. Trauth

A.J. Trauth

Greg

Katherine Boecher

Katherine Boecher

Clara

John Billingsley

John Billingsley

Brady

Court is in session

Put The Last Word on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.