“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Stealing Home
Drama · Romance · 1988
Billy Wyatt, a former high school and minor-league baseball player, receives a telephone call from his mother revealing that his former child-sitter, and later in his teens, his first love, Katie Chandler, has died. Wyatt returns home to deal with this tragedy, reminiscing over his childhood growing up with his father, Katie, and best friend Alan Appleby.
Stealing Home
“Stealing hearts, stealing laughs, stealing memories”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Billy Wyatt, a former high school and minor-league baseball player, receives a telephone call from his mother revealing that his former child-sitter, and later in his teens, his first love, Katie Chandler, has died. Wyatt returns home to deal with this tragedy, reminiscing over his childhood growing up with his father, Katie, and best friend Alan Appleby.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Stealing Home?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Steven Kampmann · William Porter
Written by
Steven Kampmann · William Porter
Put Stealing Home on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






