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Inglourious Basterds

Inglourious Basterds

Drama · Thriller · War · 2009

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

Movie details

Inglourious Basterds

“Once upon a time in Nazi occupied France...”

2009 Drama · Thriller · War 2h 33m

Critical arithmetic

One number, for now.

TMDB

8.2 / 10

Community rating

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Inglourious Basterds?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Quentin Tarantino

Written by

Quentin Tarantino

Brad Pitt

Brad Pitt

LT. Aldo Raine

Mélanie Laurent

Mélanie Laurent

Shosanna

Christoph Waltz

Christoph Waltz

COL. Hans Landa

Eli Roth

Eli Roth

SGT. Donny Donowitz

Michael Fassbender

Michael Fassbender

LT. Archie Hicox

Diane Kruger

Diane Kruger

Bridget von Hammersmark

Daniel Brühl

Daniel Brühl

Fredrick Zoller

Court is in session

Put Inglourious Basterds on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.