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Last Chance Harvey

Last Chance Harvey

Drama · Romance · 2008

In London for his daughter's wedding, a struggling jingle-writer, Harvey Shine, misses his plane to New York, and thus loses his job. While drowning his sorrows in the airport pub, Harvey meets Kate, a British government worker stuck in an endless cycle of work, phone calls from her mother, and blind dates. A connection forms between the unhappy pair, who soon find themselves falling in love.

Movie details

Last Chance Harvey

“When it comes to love, is it ever too late to take a chance?”

2008 Drama · Romance 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In London for his daughter's wedding, a struggling jingle-writer, Harvey Shine, misses his plane to New York, and thus loses his job. While drowning his sorrows in the airport pub, Harvey meets Kate, a British government worker stuck in an endless cycle of work, phone calls from her mother, and blind dates. A connection forms between the unhappy pair, who soon find themselves falling in love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Last Chance Harvey?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Joel Hopkins

Written by

Joel Hopkins

Dustin Hoffman

Dustin Hoffman

Harvey Shine

Emma Thompson

Emma Thompson

Kate Walker

Eileen Atkins

Eileen Atkins

Maggie Walker

Kathy Baker

Kathy Baker

Jean

Liane Balaban

Liane Balaban

Susan Shine Wright

Daniel Lapaine

Daniel Lapaine

Scott Wright

James Brolin

James Brolin

Brian

Court is in session

Put Last Chance Harvey on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.