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Space Is the Place

Space Is the Place

Science Fiction · Music · 1974

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

Movie details

Space Is the Place

1974 Science Fiction · Music 1h 21m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Space Is the Place?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A journey into uncharted and forbidden territory through three tales tangled in space and time.

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Alien Resurrection

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Sci-fi · 1997

Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.

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Crimes of the Future

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Names above the title

The people responsible.

Directed by

John Coney

Written by

Sun Ra · Joshua Smith

Sun Ra

Sun Ra

Himself

R

Raymond Johnson

The Overseer

C

Christopher Brooks

Jimmy Fey

Marshall Allen

Marshall Allen

Arkestra member

J

June Tyson

Arkestra member

W

Walter Burns

Agent #1

Morgan Upton

Morgan Upton

Agent #2

Court is in session

Put Space Is the Place on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.