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Alien Resurrection

Alien Resurrection

Science Fiction · Horror · Action · 1997

Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.

Movie details

Alien Resurrection

“It's already too late.”

1997 Science Fiction · Horror · Action 1h 49m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

291.7K votes

Rotten Tomatoes

55 %

Tomatometer

Metacritic

62 / 100

Metascore

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Two hundred years after Lt. Ripley died, a group of scientists clone her, hoping to breed the ultimate weapon. But the new Ripley is full of surprises … as are the new aliens. Ripley must team with a band of smugglers to keep the creatures from reaching Earth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Alien Resurrection?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Replicant

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The 6th Day

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Sci-fi · 2013

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Where it lives

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Names above the title

The people responsible.

Directed by

Jean-Pierre Jeunet

Written by

Joss Whedon

Sigourney Weaver

Sigourney Weaver

Ripley

Winona Ryder

Winona Ryder

Call

Dominique Pinon

Dominique Pinon

Vriess

Ron Perlman

Ron Perlman

Johner

Gary Dourdan

Gary Dourdan

Christie

Michael Wincott

Michael Wincott

Elgyn

Kim Flowers

Kim Flowers

Hillard

Court is in session

Put Alien Resurrection on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.