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Fear City: A Family-Style Comedy

Fear City: A Family-Style Comedy

Comedy · 1994

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

Movie details

Fear City: A Family-Style Comedy

1994 Comedy 1h 40m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fear City: A Family-Style Comedy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Alain Berbérian

Written by

Alain Chabat · Dominique Farrugia · Chantal Lauby

Chantal Lauby

Chantal Lauby

Odile Deray / Louise, TV journalist

Alain Chabat

Alain Chabat

Serge Karamazov / Youri / Jacques, TV journalist

Dominique Farrugia

Dominique Farrugia

Simon Jérémi / Benjamin / Michel, TV journalist

Gérard Darmon

Gérard Darmon

Commissioner Patrick Bialès / Maurice Bialès / Alicia Lampéro

Sam Karmann

Sam Karmann

Disturbing man / Youri / Émile Gravier

Jean-Christophe Bouvet

Jean-Christophe Bouvet

Jean-Paul Martoni

Eric Prat

Eric Prat

Philippe Garcia

Court is in session

Put Fear City: A Family-Style Comedy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.