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Arsenic and Old Lace

Arsenic and Old Lace

Comedy · Crime · 1944

Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!

Movie details

Arsenic and Old Lace

“She Passed Out On Cary! No Wonder . . . She's just discovered his favorite aunts have poisoned their 13th gentleman friend!”

1944 Comedy · Crime 1h 58m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

Mortimer Brewster, a newspaper drama critic, playwright, and author known for his diatribes against marriage, suddenly falls in love and gets married; but when he makes a quick trip home to tell his two maiden aunts, he finds out his aunts' hobby - killing lonely old men and burying them in the cellar!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Arsenic and Old Lace?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Frank Capra

Written by

Julius J. Epstein · Philip G. Epstein

Cary Grant

Cary Grant

Mortimer Brewster

Priscilla Lane

Priscilla Lane

Elaine Harper Brewster

Josephine Hull

Josephine Hull

Aunt Abby Brewster

Jean Adair

Jean Adair

Aunt Martha Brewster

Raymond Massey

Raymond Massey

Jonathan Brewster

John Alexander

John Alexander

'Teddy Roosevelt' Brewster

Peter Lorre

Peter Lorre

Dr. Einstein

Court is in session

Put Arsenic and Old Lace on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.