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Citizen Kane

Citizen Kane

Mystery · Drama · 1941

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

Movie details

Citizen Kane

“Some called him a hero...others called him a heel.”

1941 Mystery · Drama 1h 59m

Critical arithmetic

The consensus, allegedly.

IMDb

8.2 / 10

491.5K votes

Rotten Tomatoes

99 %

Tomatometer

Metacritic

100 / 100

Metascore

TMDB

8.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Newspaper magnate Charles Foster Kane is taken from his mother as a boy and made the ward of a rich industrialist. As a result, every well-meaning, tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Citizen Kane?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Orson Welles

Written by

Orson Welles · Herman J. Mankiewicz

Orson Welles

Orson Welles

Charles Foster Kane

Joseph Cotten

Joseph Cotten

Jedediah Leland

Dorothy Comingore

Dorothy Comingore

Susan Alexander Kane

Ray Collins

Ray Collins

Jim W. Gettys

George Coulouris

George Coulouris

Walter Parks Thatcher

Agnes Moorehead

Agnes Moorehead

Mary Kane

Paul Stewart

Paul Stewart

Raymond

Court is in session

Put Citizen Kane on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.