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Murder on the Orient Express

Murder on the Orient Express

Drama · Thriller · Mystery · 1974

In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.

Movie details

Murder on the Orient Express

“The who's who in the whodunnit!”

1974 Drama · Thriller · Mystery 2h 8m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

In 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Murder on the Orient Express?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Fourteen-year-old Charlie's life changes when Jasper takes his help to dispose of the body of his girlfriend, Laura. He decides to look for the murderer and falls in love with Laura's younger sister.

The Mask of Dimitrios

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The Maltese Falcon

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Insomnia

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Two Los Angeles homicide detectives are dispatched to a northern town where the sun doesn't set to investigate the methodical murder of a local teen.

Where it lives

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Names above the title

The people responsible.

Directed by

Sidney Lumet

Written by

Paul Dehn

Albert Finney

Albert Finney

Hercule Poirot

Lauren Bacall

Lauren Bacall

Mrs. Harriet Belinda Hubbard

Martin Balsam

Martin Balsam

Signor Bianchi

Ingrid Bergman

Ingrid Bergman

Greta Ohlson

Sean Connery

Sean Connery

Colonel Arbuthnot

Anthony Perkins

Anthony Perkins

Hector MacQueen

Jean-Pierre Cassel

Jean-Pierre Cassel

Pierre Paul Michel

Court is in session

Put Murder on the Orient Express on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.