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Rodrigue in Love

Rodrigue in Love

Comedy · Family · 2025

A struggling actor, Stéphane arrives with his troupe at the Avignon Festival to perform a boulevard play. There, he meets Fanny, a renowned actress, and falls under her spell. Taking advantage of a misunderstanding to get closer to her, Stéphane sinks into a lie that he will have to keep going for the duration of the festival... but which will quickly overwhelm him!

Movie details

Rodrigue in Love

2025 Comedy · Family 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A struggling actor, Stéphane arrives with his troupe at the Avignon Festival to perform a boulevard play. There, he meets Fanny, a renowned actress, and falls under her spell. Taking advantage of a misunderstanding to get closer to her, Stéphane sinks into a lie that he will have to keep going for the duration of the festival... but which will quickly overwhelm him!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Rodrigue in Love?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Johann Dionnet

Written by

Johann Dionnet · Benoît Graffin

Baptiste Lecaplain

Baptiste Lecaplain

Stéphane

Élisa Erka

Élisa Erka

Fanny

Romain Francisco

Romain Francisco

Etienne

Amaury de Crayencour

Amaury de Crayencour

David

Ariane Mourier

Ariane Mourier

Mathilde

Alison Wheeler

Alison Wheeler

Coralie

Lyes Salem

Lyes Salem

Serge

Court is in session

Put Rodrigue in Love on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.