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The Importance of Being Earnest

The Importance of Being Earnest

Comedy · 1952

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

Movie details

The Importance of Being Earnest

“They don't come any wilder than Oscar Wilde's classic comedy of manners, morals and morality!”

1952 Comedy 1h 35m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Importance of Being Earnest?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Anthony Asquith

Written by

Anthony Asquith

Michael Redgrave

Michael Redgrave

Ernest Worthing

Michael Denison

Michael Denison

Algernon Moncrieff

Edith Evans

Edith Evans

Lady Bracknell

Joan Greenwood

Joan Greenwood

Gwendolen Fairfax

Dorothy Tutin

Dorothy Tutin

Cecily Cardew

Margaret Rutherford

Margaret Rutherford

Miss Prism

Miles Malleson

Miles Malleson

Canon Chasuble

Court is in session

Put The Importance of Being Earnest on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.