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The Monster Squad

The Monster Squad

Comedy · Action · Fantasy · 1987

Count Dracula returns to the world of humans accompanied by Frankenstein's Monster, the Wolfman, the Mummy, and the Gillman. The uglies are in search of a powerful amulet that will grant them the ability to rule the world. A group of horror-loving heroes are the only ones daring to stand in their way.

Movie details

The Monster Squad

“You know who to call when you have ghosts. But who do you call when you have monsters?”

1987 Comedy · Action · Fantasy 1h 22m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Count Dracula returns to the world of humans accompanied by Frankenstein's Monster, the Wolfman, the Mummy, and the Gillman. The uglies are in search of a powerful amulet that will grant them the ability to rule the world. A group of horror-loving heroes are the only ones daring to stand in their way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Monster Squad?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Fred Dekker

Written by

Fred Dekker · Shane Black

André Gower

André Gower

Sean

Robby Kiger

Robby Kiger

Patrick

Stephen Macht

Stephen Macht

Del

D

Duncan Regehr

Count Dracula

Tom Noonan

Tom Noonan

Frankenstein

B

Brent Chalem

Horace

R

Ryan Lambert

Rudy

Court is in session

Put The Monster Squad on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Auteur Devotee

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.