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Love and Monsters

Love and Monsters

Adventure · Comedy · Fantasy · 2020

Seven years since the Monsterpocalypse began, Joel Dawson has been living underground in order to survive. But after reconnecting over radio with his high school girlfriend Aimee, Joel decides to venture out to reunite with her, despite all the dangerous monsters that stand in his way.

Movie details

Love and Monsters

“An apocalyptic love story.”

2020 Adventure · Comedy · Fantasy 1h 49m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Seven years since the Monsterpocalypse began, Joel Dawson has been living underground in order to survive. But after reconnecting over radio with his high school girlfriend Aimee, Joel decides to venture out to reunite with her, despite all the dangerous monsters that stand in his way.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Love and Monsters?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Matthews

Written by

Matthew Robinson · Brian Duffield

Dylan O'Brien

Dylan O'Brien

Joel

Jessica Henwick

Jessica Henwick

Aimee

Michael Rooker

Michael Rooker

Clyde

Dan Ewing

Dan Ewing

Cap

Ariana Greenblatt

Ariana Greenblatt

Minnow

Ellen Hollman

Ellen Hollman

Dana

Tre Hale

Tre Hale

Rocko

Court is in session

Put Love and Monsters on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Cool Ironist

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.