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Japanese Story

Japanese Story

Drama · Romance · 2003

Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on Earth.

Movie details

Japanese Story

“Some stories can change your life.”

2003 Drama · Romance 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Sandy, a geologist, finds herself stuck on a field trip to the Pilbara desert with a Japanese man she finds inscrutable, annoying and decidedly arrogant. Hiromitsu's view of her is not much better. Things go from bad to worse when they become stranded in one of the most remote regions on Earth.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Japanese Story?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Sue Brooks

Written by

Alison Tilson

Toni Collette

Toni Collette

Sandy Edwards

Gotaro Tsunashima

Gotaro Tsunashima

Hiromitsu Tachibana

Matthew Dyktynski

Matthew Dyktynski

Bill Baird

Lynette Curran

Lynette Curran

Mum

Yumiko Tanaka

Yumiko Tanaka

Yukiko Tachibana

Kate Atkinson

Kate Atkinson

Jackie

Bill Young

Bill Young

Jimmy Smithers

Court is in session

Put Japanese Story on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.