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Slayers Return

Slayers Return

Animation · Comedy · Fantasy · 1996

Lina Inverse and Naga the White Serpent are back! What begins as a routine bandit-stomping turns into the adventure of a lifetime involving magical golems, an ancient Elven weapon and even someone bent on destroying the world. It's a predicament only Lina and Naga could get themselves in to.

Movie details

Slayers Return

1996 Animation · Comedy · Fantasy 1h 0m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Lina Inverse and Naga the White Serpent are back! What begins as a routine bandit-stomping turns into the adventure of a lifetime involving magical golems, an ancient Elven weapon and even someone bent on destroying the world. It's a predicament only Lina and Naga could get themselves in to.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Slayers Return?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Lord of the Rings

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Names above the title

The people responsible.

Directed by

Hiroshi Watanabe

Megumi Hayashibara

Megumi Hayashibara

Lina Inverse (voice)

Maria Kawamura

Maria Kawamura

Naga the Serpent (voice)

Akiko Hiramatsu

Akiko Hiramatsu

Selena Biatz (voice)

Akio Otsuka

Akio Otsuka

Selena's Father (voice)

Chafurin

Chafurin

Becker (voice)

Minoru Inaba

Minoru Inaba

Elderly Sorcerer (voice)

Maya Okamoto

Maya Okamoto

Female Martial Arts Master (voice)

Court is in session

Put Slayers Return on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.