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Crayon Shin-chan: Great Adventure In Henderland

Crayon Shin-chan: Great Adventure In Henderland

Animation · Comedy · Adventure · 1996

The Futaba Kindergarten kids are so excited for their trip to the Henderland amusement park, but Shin-chan soon learns there are evil forces at play!

Movie details

Crayon Shin-chan: Great Adventure In Henderland

1996 Animation · Comedy · Adventure 1h 37m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

The Futaba Kindergarten kids are so excited for their trip to the Henderland amusement park, but Shin-chan soon learns there are evil forces at play!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Crayon Shin-chan: Great Adventure In Henderland?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mitsuru Hongo

Written by

Mitsuru Hongo · Keiichi Hara

Akiko Yajima

Akiko Yajima

Shinnosuke Nohara (voice)

Miki Narahashi

Miki Narahashi

Misae Nohara (voice)

Keiji Fujiwara

Keiji Fujiwara

Hiroshi Nohara (voice)

Satomi Korogi

Satomi Korogi

Himawari Nohara (voice)

Yuriko Fuchizaki

Yuriko Fuchizaki

Toppema Muppet / Memori Mimori Hime (voice)

Hochu Otsuka

Hochu Otsuka

Makao (voice)

Hideyuki Tanaka

Hideyuki Tanaka

Joma (voice)

Court is in session

Put Crayon Shin-chan: Great Adventure In Henderland on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.