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Pollock

Pollock

Drama · History · 2000

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

Movie details

Pollock

“A true portrait of life and art.”

2000 Drama · History 2h 12m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

In August of 1949, Life Magazine ran a banner headline that begged the question: "Jackson Pollock: Is he the greatest living painter in the United States?" The film is a look back into the life of an extraordinary man, a man who has fittingly been called "an artist dedicated to concealment, a celebrity who nobody knew." As he struggled with self-doubt, engaging in a lonely tug-of-war between needing to express himself and wanting to shut the world out, Pollock began a downward spiral.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Pollock?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ed Harris

Written by

Barbara Turner · Susan Emshwiller

Ed Harris

Ed Harris

Jackson Pollock

Marcia Gay Harden

Marcia Gay Harden

Lee Krasner

Tom Bower

Tom Bower

Dan Miller

Jennifer Connelly

Jennifer Connelly

Ruth Kligman

Bud Cort

Bud Cort

Howard Putzel

John Heard

John Heard

Tony Smith

Val Kilmer

Val Kilmer

Willem DeKooning

Court is in session

Put Pollock on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.