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The Last Vermeer

The Last Vermeer

Drama · History · 2019

A soldier and member of the Dutch resistance investigates stolen art in the wake of the Second World War, including a Vermeer sold to the Nazis by a flamboyant forger.

Movie details

The Last Vermeer

“Deception is a fine art.”

2019 Drama · History 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

A soldier and member of the Dutch resistance investigates stolen art in the wake of the Second World War, including a Vermeer sold to the Nazis by a flamboyant forger.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Vermeer?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Dan Friedkin

Written by

Mark Fergus · Hawk Ostby · John Orloff

Guy Pearce

Guy Pearce

Han van Meegeren

Claes Bang

Claes Bang

Joseph Piller

Vicky Krieps

Vicky Krieps

Minna Holmberg

Roland Møller

Roland Møller

Esper Dekker

August Diehl

August Diehl

Alex De Klerks

Karl Johnson

Karl Johnson

Bernard Bakker

Andrew Havill

Andrew Havill

Maarten Wooning

Court is in session

Put The Last Vermeer on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.