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Get On Up

Get On Up

Drama · Music · History · 2014

A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.

Movie details

Get On Up

“The Funk Don't Quit”

2014 Drama · Music · History 2h 19m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

A chronicle of James Brown's rise from extreme poverty to become one of the most influential musicians in history.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Get On Up?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Selena

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In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.

Straight Outta Compton

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Names above the title

The people responsible.

Directed by

Tate Taylor

Written by

John-Henry Butterworth · Jez Butterworth · Steven Baigelman

Chadwick Boseman

Chadwick Boseman

James Brown

Nelsan Ellis

Nelsan Ellis

Bobby Byrd

Dan Aykroyd

Dan Aykroyd

Ben Bart

Viola Davis

Viola Davis

Susie Brown

Lennie James

Lennie James

Joe Brown

Fred Melamed

Fred Melamed

Syd Nathan

Jill Scott

Jill Scott

DeeDee Brown

Court is in session

Put Get On Up on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.