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Ray

Ray

Drama · Music · 2004

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.

Movie details

Ray

“The extraordinary life story of Ray Charles.”

2004 Drama · Music 2h 32m

Critical arithmetic

One number, for now.

TMDB

7.5 / 10

Community rating

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ray?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Taylor Hackford

Written by

James L. White · Taylor Hackford

Jamie Foxx

Jamie Foxx

Ray Charles

Kerry Washington

Kerry Washington

Della Bea Robinson

Regina King

Regina King

Margie Hendricks

Harry Lennix

Harry Lennix

Joe Adams

Clifton Powell

Clifton Powell

Jeff Brown

Bokeem Woodbine

Bokeem Woodbine

Fathead Newman

S

Sharon Warren

Aretha Robinson

Court is in session

Put Ray on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.