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Mister Johnson

Mister Johnson

Drama · 1991

In 1923 British Colonial Nigeria, Mister Johnson is an oddity -- an educated black man who doesn't really fit in with the natives or the British. He works for the local British magistrate, and considers himself English, though he has never been to England. He is always scheming, trying to get ahead, which lands him in a lot of hot water.

Movie details

Mister Johnson

“Africa 1923: A clash of cultures between British imperalists and a black man too smart for his own good.”

1991 Drama 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

In 1923 British Colonial Nigeria, Mister Johnson is an oddity -- an educated black man who doesn't really fit in with the natives or the British. He works for the local British magistrate, and considers himself English, though he has never been to England. He is always scheming, trying to get ahead, which lands him in a lot of hot water.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mister Johnson?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Bruce Beresford

Written by

William Boyd

Maynard Eziashi

Maynard Eziashi

Mister Johnson

Pierce Brosnan

Pierce Brosnan

Harry Rudbeck

Edward Woodward

Edward Woodward

Sargy Gollup

Beatie Edney

Beatie Edney

Celia Rudbeck

Denis Quilley

Denis Quilley

Bulteen

N

Nick Reding

Tring

Bella Enahoro

Bella Enahoro

Bamu

Court is in session

Put Mister Johnson on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.