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The Thief of Bagdad

The Thief of Bagdad

Adventure · Fantasy · Romance · 1940

When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.

Movie details

The Thief of Bagdad

“ONE THOUSAND AND ONE SIGHTS FROM THE THOUSAND OF ONE NIGHTS....”

1940 Adventure · Fantasy · Romance 1h 47m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

When Prince Ahmad is blinded and cast out of Bagdad by the nefarious Jaffar, he joins forces with the scrappy thief Abu to win back his royal place, as well as the heart of a beautiful princess.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Thief of Bagdad?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

The Thief of Bagdad

The Thief of Bagdad

Romance · 1924

A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.

The Last Unicorn

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The Princess Bride

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The Thief and the Cobbler

The Thief and the Cobbler

Animation · 1993

Princess Yum Yum falls in love with Tack and saves him from being executed. Later, when the protective orbs of the palace get stolen, Tack and Yum Yum set out to find them and save the kingdom.

The House of Magic

The House of Magic

Family · 2013

Thunder, an abandoned young cat seeking shelter from a storm, stumbles into the strangest house imaginable, owned by an old magician and inhabited by a dazzling array of automatons and gizmos. Not everyone welcomes the new addition to the troupe as Jack Rabbit and Maggie Mouse plot to evict Thunder. The situation gets worse when the magician lands in hospital and his scheming nephew sees his chance to cash in by selling the mansion. Our young hero is determined to earn his place and so he enlists the help of some wacky magician's assistants to protect his magical new home.

Sinbad: Legend of the Seven Seas

Sinbad: Legend of the Seven Seas

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The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.

Aladdin

Aladdin

Animation · 1992

In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.

The Princess and the Frog

The Princess and the Frog

Animation · 2009

A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.

Cinderella III: A Twist in Time

Cinderella III: A Twist in Time

Animation · 2007

When Lady Tremaine steals the Fairy Godmother's wand and changes history, it's up to Cinderella to restore the timeline and reclaim her prince.

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Names above the title

The people responsible.

Directed by

Ludwig Berger · Michael Powell · Tim Whelan

Written by

Miles Malleson · Miklós Rózsa

Conrad Veidt

Conrad Veidt

Jaffar

Sabu

Sabu

Abu

June Duprez

June Duprez

Princess

John Justin

John Justin

Ahmad

Rex Ingram

Rex Ingram

Djinn

M

Miles Malleson

Sultan

Morton Selten

Morton Selten

The Old King

Court is in session

Put The Thief of Bagdad on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.