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The Thief and the Cobbler

The Thief and the Cobbler

Animation · Family · Fantasy · 1993

Princess Yum Yum falls in love with Tack and saves him from being executed. Later, when the protective orbs of the palace get stolen, Tack and Yum Yum set out to find them and save the kingdom.

Movie details

The Thief and the Cobbler

“Long before Aladdin, ages before Ali Baba, came the hilarious adventure of a simple shoemaker who saved an enchanted kingdom, won the heart of a beautiful princess, and became the first Arabian Knight.”

1993 Animation · Family · Fantasy 1h 12m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Princess Yum Yum falls in love with Tack and saves him from being executed. Later, when the protective orbs of the palace get stolen, Tack and Yum Yum set out to find them and save the kingdom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Thief and the Cobbler?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Aladdin

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Names above the title

The people responsible.

Directed by

Richard Williams

Written by

Richard Williams · Margaret French

Vincent Price

Vincent Price

Zigzag the Grand Vizier (voice)

Matthew Broderick

Matthew Broderick

Tack the Cobbler (voice)

Jennifer Beals

Jennifer Beals

Princess YumYum (voice)

Anthony Quayle

Anthony Quayle

King Nod (voice)

Joan Sims

Joan Sims

Nurse / Mad Old Holy Witch (voice)

Donald Pleasence

Donald Pleasence

Phido the Vulture (voice)

Jonathan Winters

Jonathan Winters

The Thief (voice)

Court is in session

Put The Thief and the Cobbler on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.