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Snow White and the Seven Dwarfs

Snow White and the Seven Dwarfs

Fantasy · Animation · Family · 1938

A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.

Movie details

Snow White and the Seven Dwarfs

“The Happiest, Dopiest, Grumpiest, Sneeziest movie of the year.”

1938 Fantasy · Animation · Family 1h 23m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

A beautiful girl, Snow White, takes refuge in the forest in the house of seven dwarfs to hide from her stepmother, the wicked Queen. The Queen is jealous because she wants to be known as "the fairest in the land," and Snow White's beauty surpasses her own.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Snow White and the Seven Dwarfs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

David Hand · Ben Sharpsteen · William Cottrell

Written by

Merrill De Maris · Earl Hurd · Dick Rickard · Ted Sears

Adriana Caselotti

Adriana Caselotti

Snow White (voice) (uncredited)

Lucille La Verne

Lucille La Verne

Queen / Witch (voice) (uncredited)

Harry Stockwell

Harry Stockwell

Prince (voice) (uncredited)

Roy Atwell

Roy Atwell

Doc (voice) (uncredited)

Pinto Colvig

Pinto Colvig

Sleepy / Grumpy / Dopey (hiccups) (voice) (uncredited)

Otis Harlan

Otis Harlan

Happy (voice) (uncredited)

S

Scotty Mattraw

Bashful (voice) (uncredited)

Court is in session

Put Snow White and the Seven Dwarfs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.