“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The Story of Us
Drama · Comedy · Romance · 1999
After 15 years of marriage, Katie and her husband, Ben, have grown apart. While they keep up the facade of having a contented marriage, mostly to not worry their children, they aren't happy together and argue frequently. While the kids are away at camp, Katie and Ben decide to separate and try to reassess their relationship to see if they should stay together or split up for good.
The Story of Us
“Can a marriage survive 15 years of marriage?”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.2 / 10
Community rating
After 15 years of marriage, Katie and her husband, Ben, have grown apart. While they keep up the facade of having a contented marriage, mostly to not worry their children, they aren't happy together and argue frequently. While the kids are away at camp, Katie and Ben decide to separate and try to reassess their relationship to see if they should stay together or split up for good.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Story of Us?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Rob Reiner
Written by
Alan Zweibel · Jessie Nelson
Put The Story of Us on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






