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The Story of Us

The Story of Us

Drama · Comedy · Romance · 1999

After 15 years of marriage, Katie and her husband, Ben, have grown apart. While they keep up the facade of having a contented marriage, mostly to not worry their children, they aren't happy together and argue frequently. While the kids are away at camp, Katie and Ben decide to separate and try to reassess their relationship to see if they should stay together or split up for good. 

Movie details

The Story of Us

“Can a marriage survive 15 years of marriage?”

1999 Drama · Comedy · Romance 1h 36m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

After 15 years of marriage, Katie and her husband, Ben, have grown apart. While they keep up the facade of having a contented marriage, mostly to not worry their children, they aren't happy together and argue frequently. While the kids are away at camp, Katie and Ben decide to separate and try to reassess their relationship to see if they should stay together or split up for good. 

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Story of Us?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Rob Reiner

Written by

Alan Zweibel · Jessie Nelson

Bruce Willis

Bruce Willis

Ben Jordan

Michelle Pfeiffer

Michelle Pfeiffer

Katie Jordan

Rob Reiner

Rob Reiner

Stan Kogen

Colleen Rennison

Colleen Rennison

Erin Jordan (at Ten)

Jake Sandvig

Jake Sandvig

Josh Jordan (at Twelve)

Julie Hagerty

Julie Hagerty

Liza

Rita Wilson

Rita Wilson

Rachel Kogen

Court is in session

Put The Story of Us on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.