The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
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Eye for an Eye
Horror · 2025
Anna, grieving the sudden death of her parents, relocates from New York to a small Florida town to live with the grandmother she has never met. Isolated, vulnerable, and in need of friends, she finds brief solace in the company of two local teens. But when she becomes complicit to their unforgivable act of violence, she finds herself ensnared by Mr. Sandman – the twisted soul of a tormented child who haunts bullies’ dreams before feasting on their eyeballs when they finally wake - Anna must right her wrong before becoming a victim of this gruesome curse.
Movie details
Eye for an Eye
“You can't escape your dreams.”
2025 Horror 1h 41m
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
4.9 / 10
813 votes
Rotten Tomatoes
85 %
Tomatometer
TMDB
5.9 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Anna, grieving the sudden death of her parents, relocates from New York to a small Florida town to live with the grandmother she has never met. Isolated, vulnerable, and in need of friends, she finds brief solace in the company of two local teens. But when she becomes complicit to their unforgivable act of violence, she finds herself ensnared by Mr. Sandman – the twisted soul of a tormented child who haunts bullies’ dreams before feasting on their eyeballs when they finally wake - Anna must right her wrong before becoming a victim of this gruesome curse.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Eye for an Eye?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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A journey into uncharted and forbidden territory through three tales tangled in space and time.
Nightbreed
Horror · 1990
A troubled young man is drawn to a mythical place called Midian where a variety of friendly monsters are hiding from humanity. Meanwhile, a sadistic serial killer is looking for a patsy.
The Unhealer
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The Deliverance
Horror · 2024
Ebony Jackson, a struggling single mother fighting her personal demons, moves her family into a new home for a fresh start. But when strange occurrences inside the home raise the suspicions of Child Protective Services and threaten to tear the family apart, Ebony soon finds herself locked in a battle for her life and the souls of her children.
The Possessed
Horror · 2021
A man with the ability to exorcise demons fights to protect his loved ones after a sudden surge in demonic possessions. After discovering his nephew's girlfriend has the same supernatural gift, they join forces for the ultimate confrontation. Inspired by actual events.
Splinter
Horror · 2008
When their plans for a nature trip go awry, Polly and boyfriend Seth decide to check into a motel. On their way, they're carjacked and kidnapped by low-rent crooks Dennis and Lacey, who take the victims and their SUV to a nearby gas station. Along the way, they encounter an increasingly terrifying horde of parasites, and if any of them intend to survive, they'll have to outsmart the deadly organisms.
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Names above the title
The people responsible.
Cast & crew
Directed by
Colin Tilley
Written by
Elisa Victoria
Whitney Peak
Anna
Golda Rosheuvel
Patti
Finn Bennett
Shawn
Laken Giles
Julie Cross
S. Epatha Merkerson
May
Carson Minniear
Conner
Wynn Reichert
Host
Court is in session
Put Eye for an Eye on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.