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Thinner

Thinner

Fantasy · Horror · 1996

An obese lawyer finds himself growing "Thinner" when an old Romani man places a hex on him. Now the lawyer must call upon his friends in organized crime to help him persuade the old man to lift the curse. Time is running out for the desperate lawyer as he draws closer to his own death, and grows ever thinner.

Movie details

Thinner

“Let the curse fit the crime.”

1996 Fantasy · Horror 1h 32m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

An obese lawyer finds himself growing "Thinner" when an old Romani man places a hex on him. Now the lawyer must call upon his friends in organized crime to help him persuade the old man to lift the curse. Time is running out for the desperate lawyer as he draws closer to his own death, and grows ever thinner.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Thinner?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tom Holland

Written by

Tom Holland · Michael McDowell

Robert John Burke

Robert John Burke

Billy Halleck

Michael Constantine

Michael Constantine

Tadzu Lempke

Lucinda Jenney

Lucinda Jenney

Heidi Halleck

Kari Wührer

Kari Wührer

Gina Lempke

John Horton

John Horton

Judge Cary Rossington

Sam Freed

Sam Freed

Dr. Mike Houston

Daniel von Bargen

Daniel von Bargen

Chief Duncan Hopley

Court is in session

Put Thinner on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.