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Mighty Aphrodite

Mighty Aphrodite

Comedy · Romance · 1995

When Lenny and his wife, Amanda, adopt a baby, Lenny realizes that his son is a genius and becomes obsessed with finding the boy's biological mother in hopes that she will be brilliant too. But when he learns that Max's mother is Linda Ash, a kindhearted prostitute and porn star, Lenny is determined to reform her immoral lifestyle. A Greek chorus chimes in to relate the plot to Greek mythology in this quirky comedy.

Movie details

Mighty Aphrodite

“Of all human weaknesses, obsession is the most dangerous, and the silliest!”

1995 Comedy · Romance 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

When Lenny and his wife, Amanda, adopt a baby, Lenny realizes that his son is a genius and becomes obsessed with finding the boy's biological mother in hopes that she will be brilliant too. But when he learns that Max's mother is Linda Ash, a kindhearted prostitute and porn star, Lenny is determined to reform her immoral lifestyle. A Greek chorus chimes in to relate the plot to Greek mythology in this quirky comedy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Mighty Aphrodite?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Woody Allen

Written by

Woody Allen

Woody Allen

Woody Allen

Lenny

Mira Sorvino

Mira Sorvino

Linda Ash

Helena Bonham Carter

Helena Bonham Carter

Amanda

F. Murray Abraham

F. Murray Abraham

Chorleiter

Donald Symington

Donald Symington

Amanda's Father

Claire Bloom

Claire Bloom

Amanda's Mother

Olympia Dukakis

Olympia Dukakis

Jocasta

Court is in session

Put Mighty Aphrodite on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.