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Pretty Woman

Pretty Woman

Romance · Comedy · 1990

Vivian is a carefree, streetwise diamond in the rough when she meets sophisticated billionaire Edward in a chance encounter that turns into a week-long business arrangement. But Vivian's energetic spirit challenges Edward's no-nonsense approach to life, and soon they are teaching each other – and falling in love!

Movie details

Pretty Woman

“She walked off the street, into his life and stole his heart.”

1990 Romance · Comedy 2h 0m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Vivian is a carefree, streetwise diamond in the rough when she meets sophisticated billionaire Edward in a chance encounter that turns into a week-long business arrangement. But Vivian's energetic spirit challenges Edward's no-nonsense approach to life, and soon they are teaching each other – and falling in love!

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Pretty Woman?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Despite being well into adulthood, brothers Doug and Steve Butabi still live at home and work in the flower shop owned by their dad. They exist only to hit on women at discos, though they're routinely unsuccessful until a chance run-in with Richard Grieco gets them inside the swank Roxbury club. Mistaken for high rollers, they meet their dream women, Vivica and Cambi, and resolve to open a club of their own.

Can You Keep a Secret?

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Two Weeks Notice

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The Woman in Red

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Relationship Goals

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Names above the title

The people responsible.

Directed by

Garry Marshall

Written by

J.F. Lawton

Richard Gere

Richard Gere

Edward Lewis

Julia Roberts

Julia Roberts

Vivian Ward

Ralph Bellamy

Ralph Bellamy

James Morse

Jason Alexander

Jason Alexander

Philip Stuckey

Laura San Giacomo

Laura San Giacomo

Kit De Luca

Héctor Elizondo

Héctor Elizondo

The Hotel Manager

Alex Hyde-White

Alex Hyde-White

David Morse

Court is in session

Put Pretty Woman on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.