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Kate & Leopold

Kate & Leopold

Romance · Comedy · Fantasy · 2001

When her scientist ex-boyfriend discovers a portal to travel through time -- and brings back a 19th-century nobleman named Leopold to prove it -- a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century. The more time Kate spends with Leopold, the harder she falls for him. But if he doesn't return to his own time, his absence will forever alter history.

Movie details

Kate & Leopold

“If they lived in the same century, they'd be perfect for each other.”

2001 Romance · Comedy · Fantasy 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

When her scientist ex-boyfriend discovers a portal to travel through time -- and brings back a 19th-century nobleman named Leopold to prove it -- a skeptical Kate reluctantly takes responsibility for showing Leopold the 21st century. The more time Kate spends with Leopold, the harder she falls for him. But if he doesn't return to his own time, his absence will forever alter history.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Kate & Leopold?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

James Mangold

Written by

James Mangold · Steven Rogers

Meg Ryan

Meg Ryan

Kate McKay

Hugh Jackman

Hugh Jackman

Leopold

Liev Schreiber

Liev Schreiber

Stuart Besser

Breckin Meyer

Breckin Meyer

Charlie McKay

Natasha Lyonne

Natasha Lyonne

Darci

Bradley Whitford

Bradley Whitford

J.J. Camden

Paxton Whitehead

Paxton Whitehead

Uncle Millard

Court is in session

Put Kate & Leopold on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.