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13 Going on 30

13 Going on 30

Comedy · Fantasy · Romance · 2004

After total humiliation at her thirteenth birthday party, Jenna Rink wants to just hide until she's thirty. Thanks to some magic wishing dust, Jenna's prayer has been answered. With a knockout body, a fabulous wardrobe, an athlete boyfriend, a dream job, and superstar friends, this can't be a better life. But soon Jenna realizes that adult life isn’t as easy as she hoped for.

Movie details

13 Going on 30

“For some, 13 feels like it was just yesterday. For Jenna, it was.”

2004 Comedy · Fantasy · Romance 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

After total humiliation at her thirteenth birthday party, Jenna Rink wants to just hide until she's thirty. Thanks to some magic wishing dust, Jenna's prayer has been answered. With a knockout body, a fabulous wardrobe, an athlete boyfriend, a dream job, and superstar friends, this can't be a better life. But soon Jenna realizes that adult life isn’t as easy as she hoped for.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over 13 Going on 30?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Gary Winick

Written by

Cathy Yuspa · Josh Goldsmith · Rita Hsiao

Jennifer Garner

Jennifer Garner

Jenna Rink

Mark Ruffalo

Mark Ruffalo

Matt Flamhaff

Judy Greer

Judy Greer

Lucy Wyman

Andy Serkis

Andy Serkis

Richard Kneeland

Kathy Baker

Kathy Baker

Bev Rink

Phil Reeves

Phil Reeves

Wayne Rink

Sam Ball

Sam Ball

Alex Carlson

Court is in session

Put 13 Going on 30 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.