The defence The Popcorn Loyalist
“It owes the canon nothing.”
The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.
Back to trending 
Nuns on the Run
Comedy · Crime · 1990
Set up by their boss to be knocked off following a final heist, soon-to-retire crooks Brian Hope and Charlie McManus get wind of their impending demise and run off with the spoils of their crime. Fleeing their boss, the drug dealers they robbed, the police, and Brian's angry girlfriend, the duo take refuge in a training convent for nuns. In disguise, they convince Sister Superior that they're nuns, a charade they're forced to maintain as their enemies arrive.
Movie details
Nuns on the Run
“From now on, it's every nun for himself!”
1990 Comedy · Crime 1h 29m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
5.9 / 10
Community rating
Set up by their boss to be knocked off following a final heist, soon-to-retire crooks Brian Hope and Charlie McManus get wind of their impending demise and run off with the spoils of their crime. Fleeing their boss, the drug dealers they robbed, the police, and Brian's angry girlfriend, the duo take refuge in a training convent for nuns. In disguise, they convince Sister Superior that they're nuns, a charade they're forced to maintain as their enemies arrive.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Nuns on the Run?
For the defence
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Welcome to Collinwood
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Bandits
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After escaping from prison, Joe and Terry go on a crime spree, robbing banks through Oregon and California in order to finance their scheme for a new life south of the border. Unfortunately, things get more complicated when they meet Kate, who runs into them with her car. She joins the bandits on their cross-country spree, and eventually she steals something, too: their hearts.
Johnny Dangerously
Comedy · 1984
An honest, goodhearted man is forced to turn to a life of crime to finance his neurotic mother's skyrocketing medical bills.
Greedy
Comedy · 1994
Meet the McTeagues. They've come to stake a claim in their wealthy uncle's will… only he's not dead yet!
Bandidas
Action · 2006
When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
Red Notice
Action · 2021
An Interpol-issued Red Notice is a global alert to hunt and capture the world's most wanted. But when a daring heist brings together the FBI's top profiler and two rival criminals, there's no telling what will happen.
High Heels and Low Lifes
Action · 2001
Two friends are drawn into a seedy underworld of extortion and violence when they try to blackmail a gang of bank robbers.
Lift
Action · 2024
An international heist crew, led by Cyrus Whitaker, race to lift $500 million in gold from a passenger plane at 40,000 feet.
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Names above the title
The people responsible.
Cast & crew
Directed by
Jonathan Lynn
Written by
Jonathan Lynn
Eric Idle
Brian Hope
Robbie Coltrane
Charlie McManus
Camille Coduri
Faith
Janet Suzman
Sister Superior
Doris Hare
Sister Mary of the Sacred Heart
Lila Kaye
Sister Mary of the Annunciation
R
Robert Patterson
'Case' Casey
Court is in session
Put Nuns on the Run on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Easy pleasure, short half-life.”
It moves efficiently through the moment but offers little reason to keep arguing once the credits end.