Back to trending
The Third Man

The Third Man

Thriller · Mystery · 1949

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

Movie details

The Third Man

“Hunted by men ... Sought by WOMEN!”

1949 Thriller · Mystery 1h 45m

Critical arithmetic

One number, for now.

TMDB

7.9 / 10

Community rating

In postwar Vienna, Austria, Holly Martins, a writer of pulp Westerns, arrives penniless as a guest of his childhood chum Harry Lime, only to learn he has died. Martins develops a conspiracy theory after learning of a "third man" present at the time of Harry's death, running into interference from British officer Major Calloway, and falling head-over-heels for Harry's grief-stricken lover, Anna.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Third Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Carol Reed

Written by

Graham Greene

Joseph Cotten

Joseph Cotten

Holly Martins

Alida Valli

Alida Valli

Anna Schmidt

Trevor Howard

Trevor Howard

Major Calloway

Orson Welles

Orson Welles

Harry Lime

Paul Hörbiger

Paul Hörbiger

Karl the Porter

Ernst Deutsch

Ernst Deutsch

'Baron' Kurtz

Erich Ponto

Erich Ponto

Dr. Winkel

Court is in session

Put The Third Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.