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The Odessa File

The Odessa File

Thriller · 1974

Following the suicide of an elderly Jewish man, investigative journalist Peter Miller sets out to hunt down an SS Captain and former concentration camp commander. In doing so he discovers that, despite allegations of war crimes, the former commander has become a man of importance in industry in post-war Germany, protected from prosecution by a powerful organisation of former SS members called Odessa.

Movie details

The Odessa File

“Hamburg, Germany. 1963. Peter Miller is going inside the dreaded Odessa. More than a few people hope he doesn't get out... ever.”

1974 Thriller 2h 10m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Following the suicide of an elderly Jewish man, investigative journalist Peter Miller sets out to hunt down an SS Captain and former concentration camp commander. In doing so he discovers that, despite allegations of war crimes, the former commander has become a man of importance in industry in post-war Germany, protected from prosecution by a powerful organisation of former SS members called Odessa.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Odessa File?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Ronald Neame

Written by

Kenneth Ross · George Markstein

Jon Voight

Jon Voight

Peter Miller

Maximilian Schell

Maximilian Schell

Eduard Roschmann

Maria Schell

Maria Schell

Frau Miller

Mary Tamm

Mary Tamm

Sigi

Derek Jacobi

Derek Jacobi

Klaus Wenzer

Peter Jeffrey

Peter Jeffrey

David Porath

Klaus Löwitsch

Klaus Löwitsch

Gustav Mackensen

Court is in session

Put The Odessa File on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Momentum is a formal choice.”

The velocity sharpens instinct and tension, making every beat land before self-importance can settle in.

The prosecution The Sentimental Softie

“Speed as an alibi.”

The film races past its weak spots and hopes acceleration will keep the audience from inspecting the evidence.