“Ambition earns the room.”
The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The Disappearance of Josef Mengele
History · Drama · 2025
In the aftermath of the Second World War, Josef Mengele, the Nazi doctor at Auschwitz, escapes to South America to rebuild his life in hiding. Through the eyes of his son who finds him again, Mengele is confronted with a past he can no longer ignore. From Buenos Aires to Paraguay via Brazil, the man who became known as “The Angel of Death” will organize his methodical disappearance to avoid any form of trial.
The Disappearance of Josef Mengele
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.5 / 10
Community rating
In the aftermath of the Second World War, Josef Mengele, the Nazi doctor at Auschwitz, escapes to South America to rebuild his life in hiding. Through the eyes of his son who finds him again, Mengele is confronted with a past he can no longer ignore. From Buenos Aires to Paraguay via Brazil, the man who became known as “The Angel of Death” will organize his methodical disappearance to avoid any form of trial.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Disappearance of Josef Mengele?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Kirill Serebrennikov
Written by
Kirill Serebrennikov
Put The Disappearance of Josef Mengele on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Importance has entered the chat.”
The production keeps announcing its significance, as though awards-season posture were proof of insight.






