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Snow Falling on Cedars

Snow Falling on Cedars

Drama · Romance · 1999

In the 1950s, a Japanese-American fisherman is suspected of killing his neighbour at sea. For Ishmael, a local reporter, the trial strikes a deep emotional chord when he finds his ex-lover is linked to the case. As he investigates the killing, he uncovers some startling clues that lead him to a shocking discovery.

Movie details

Snow Falling on Cedars

“First loves last forever.”

1999 Drama · Romance 2h 7m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In the 1950s, a Japanese-American fisherman is suspected of killing his neighbour at sea. For Ishmael, a local reporter, the trial strikes a deep emotional chord when he finds his ex-lover is linked to the case. As he investigates the killing, he uncovers some startling clues that lead him to a shocking discovery.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Snow Falling on Cedars?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Scott Hicks

Written by

Scott Hicks · Ronald Bass

Ethan Hawke

Ethan Hawke

Ishmael Chambers

Youki Kudoh

Youki Kudoh

Hatsue Miyamoto

Reeve Carney

Reeve Carney

Young Ishmael Chambers

Anne Suzuki

Anne Suzuki

Young Hatsue Imada

Rick Yune

Rick Yune

Kazuo Miyamoto

Max von Sydow

Max von Sydow

Nels Gudmundsson

James Rebhorn

James Rebhorn

Alvin Hooks

Court is in session

Put Snow Falling on Cedars on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.