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Man of the Year

Man of the Year

Comedy · Romance · Thriller · 2006

The irreverent host of a political satire talk show decides to run for president to mock the political system and expose corruption in Washington. What begins as a publicity stunt quickly gathers unexpected momentum as his message resonates with frustrated voters.

Movie details

Man of the Year

“Elections are made to be broken.”

2006 Comedy · Romance · Thriller 1h 55m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

The irreverent host of a political satire talk show decides to run for president to mock the political system and expose corruption in Washington. What begins as a publicity stunt quickly gathers unexpected momentum as his message resonates with frustrated voters.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Man of the Year?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Barry Levinson

Written by

Barry Levinson

Robin Williams

Robin Williams

Tom Dobbs

Christopher Walken

Christopher Walken

Jack Menken

Laura Linney

Laura Linney

Eleanor Green

Lewis Black

Lewis Black

Eddie Langston

Jeff Goldblum

Jeff Goldblum

Stewart

David Alpay

David Alpay

Danny

Faith Daniels

Faith Daniels

Moderator

Court is in session

Put Man of the Year on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.