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Lie with Me

Lie with Me

Drama · Romance · 2023

An author returns to his hometown of Cognac for the first time in 35 years to help promote a distillery. Once there, he meets his first love’s son, Lucas. Memories come rushing back to him: irrepressible attraction, bodies becoming one in the heat of desire, a passion that can never be revealed… His first love’s name was Thomas. They were 17.

Movie details

Lie with Me

2023 Drama · Romance 1h 38m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

An author returns to his hometown of Cognac for the first time in 35 years to help promote a distillery. Once there, he meets his first love’s son, Lucas. Memories come rushing back to him: irrepressible attraction, bodies becoming one in the heat of desire, a passion that can never be revealed… His first love’s name was Thomas. They were 17.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lie with Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Olivier Peyon

Written by

Cécilia Rouaud · Olivier Peyon · Vincent Poymiro · Arthur Cahn

Guillaume de Tonquédec

Guillaume de Tonquédec

Stéphane Belcourt

Victor Belmondo

Victor Belmondo

Lucas Andrieu

Guilaine Londez

Guilaine Londez

Gaëlle Flamand

Jéremy Gillet

Jéremy Gillet

Stéphane Belcourt (Young)

Julien de Saint Jean

Julien de Saint Jean

Thomas Andrieu

Pierre-Alain Chapuis

Pierre-Alain Chapuis

Mr. Dejean

Cyril Couton

Cyril Couton

The Bookstore Owner

Court is in session

Put Lie with Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.