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Bubba Ho-tep

Bubba Ho-tep

Comedy · Horror · Thriller · 2002

The "true" story of what really became of Elvis Presley. We find Elvis as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death," then missed his chance to switch back. He must team up with JFK and fight an ancient Egyptian mummy for the souls of their fellow residents.

Movie details

Bubba Ho-tep

“The King vs. The King of the Dead.”

2002 Comedy · Horror · Thriller 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

The "true" story of what really became of Elvis Presley. We find Elvis as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his "death," then missed his chance to switch back. He must team up with JFK and fight an ancient Egyptian mummy for the souls of their fellow residents.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bubba Ho-tep?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Housebound

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Names above the title

The people responsible.

Directed by

Don Coscarelli

Written by

Don Coscarelli · Joe R. Lansdale

Bruce Campbell

Bruce Campbell

Elvis Presley / Sebastian Haff

Ossie Davis

Ossie Davis

John F. "Jack" Kennedy

Ella Joyce

Ella Joyce

The Nurse

Heidi Marnhout

Heidi Marnhout

Callie Thomas

B

Bob Ivy

Bubba Ho-tep

E

Edith Jefferson

Elderly Woman

Larry Pennell

Larry Pennell

Kemosabe

Court is in session

Put Bubba Ho-tep on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.