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Dog Day Afternoon

Dog Day Afternoon

Crime · Drama · Thriller · 1975

Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

Movie details

Dog Day Afternoon

“Anything can happen during the dog days of summer. On August 22nd, 1972, everything did.”

1975 Crime · Drama · Thriller 2h 5m

Critical arithmetic

One number, for now.

TMDB

7.9 / 10

Community rating

Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dog Day Afternoon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Sidney Lumet

Written by

Frank Pierson

Al Pacino

Al Pacino

Sonny

John Cazale

John Cazale

Sal

Charles Durning

Charles Durning

Moretti

Chris Sarandon

Chris Sarandon

Leon

James Broderick

James Broderick

Sheldon

Penelope Allen

Penelope Allen

Sylvia

Sully Boyar

Sully Boyar

Mulvaney

Court is in session

Put Dog Day Afternoon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.