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Loving Memories

Loving Memories

Drama · Romance · History · 2023

1916. Julien Delaunay is reported missing in action during the Great War. His wife, Julie, refuses to believe he is dead. 1919. When a photo of an amnesic drifter appears in the press, Julie immediately recognizes him as her beloved husband. They are reunited and, little by little, she helps him to fall in love with her again. Until another woman claims to be the man’s real wife…

Movie details

Loving Memories

2023 Drama · Romance · History 1h 27m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

1916. Julien Delaunay is reported missing in action during the Great War. His wife, Julie, refuses to believe he is dead. 1919. When a photo of an amnesic drifter appears in the press, Julie immediately recognizes him as her beloved husband. They are reunited and, little by little, she helps him to fall in love with her again. Until another woman claims to be the man’s real wife…

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Loving Memories?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Guillaume Bureau

Written by

Guillaume Bureau

Leïla Bekhti

Leïla Bekhti

Julie Delaunay

Karim Leklou

Karim Leklou

L'homme

Louise Bourgoin

Louise Bourgoin

Rose-Marie Brunet / Frimousse

Jean-Charles Clichet

Jean-Charles Clichet

Antoine

G

Ghislain de Fonclare

Docteur Gramont

Jeanne Cohendy

Jeanne Cohendy

Alice

Véronique Ruggia Saura

Véronique Ruggia Saura

Carlotta

Court is in session

Put Loving Memories on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.