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The Passenger

The Passenger

Horror · Thriller · 2023

Randolph Bradley is perfectly content fading into the background, but when his coworker Benson snaps and goes on a violent killing spree, he’s forced to face his fears and confront his troubled past in order to find a way to survive.

Movie details

The Passenger

“Ride or die.”

2023 Horror · Thriller 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Randolph Bradley is perfectly content fading into the background, but when his coworker Benson snaps and goes on a violent killing spree, he’s forced to face his fears and confront his troubled past in order to find a way to survive.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Passenger?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Night of the Hunted

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Horror · 2023

When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Carter Smith

Written by

Jack Stanley

Kyle Gallner

Kyle Gallner

Benson

Johnny Berchtold

Johnny Berchtold

Randolph Bradley

Liza Weil

Liza Weil

Miss Beard

Billy Slaughter

Billy Slaughter

Hardy

Matthew Laureano

Matthew Laureano

Chris

Jordan Sherley

Jordan Sherley

Jess

Kanesha Washington

Kanesha Washington

Marsha

Court is in session

Put The Passenger on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Sentimental Softie

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.